(käm´p n) (KEY) , 1378–1444, Flemish painter who with the van Eycks ranks as a founder of the Netherlandish school. This artist has been identified as the Master of Flémalle on the basis of three panels in Frankfurt-am-Main said to have come from the abbey of Flémalle near Liège. Campin was active in Tournai, having become a citizen of that city in 1410 and the dean of the painters’ guild in 1423. To him have been attributed the Mérode Altarpiece in the Cloisters, New York City, a Nativity in Dijon, the Annunciation and Marriage of the Virgin in Madrid, the Madonna of Humility in London, and a number of other panels in various collections. His works are characterized by a robust and highly developed realism and concern for the details of daily life, which constituted an important stage in the stylistic progression leading to the art of Jan van Eyck. It is believed that Roger Van der Weyden was apprenticed in Campin’s workshop.
See E. Panofsky, Early Netherlandish Painting (1953); M. S. Frinta, The Genius of Robert Campin (1966).
